DIGITAL IMAGING & MEDIA ASSET MANAGER

Job Summary

The Digital Imaging & Media Asset Manager for TV broadcast is responsible for ensuring the technical accuracy, consistency, and integrity of image data from camera acquisition through post-production delivery. This role is heavily focused on media management workflows, organizing and managing the digital assets for our post-production department, color management, metadata accuracy, and efficient media handoff to editorial, color, and archive. The position serves as a critical liaison between the Production/Photographers and post-production teams to ensure smooth, compliant, and timely delivery.

Key Responsibilities

• Maintain camera-to-post workflows that support fast-turnaround TV and broadcast post-production
• Manage all camera media, including offloading, backup, and delivery to post-production
• Ensure accurate metadata, file naming, and folder organization in accordance with post-production specifications
• Create, manage, and distribute LUTs and color pipeline documentation for editorial and color workflows
• Expert knowledge of off-loading, ingesting media and familiar with file naming conventions and organizing metadata 
• Troubleshoot data, codec, color, or metadata issues that may impact editorial or finishing
• Maintain consistency across multi-camera productions for seamless post-production integration

Required Skills & Qualifications

• Strong understanding of post-production workflows for TV and broadcast
• Proficiency in color management, LUTs, color spaces, and monitoring standards
• Experience with data management and QC software (DaVinci Resolve)
• Knowledge of broadcast codecs, deliverables, and network specifications
• Excellent organizational and documentation skills
• Ability to work under tight deadlines and high-volume production schedules
• Strong communication skills with editorial, color, and technical teams

Preferred Qualifications

• Experience supporting editorial workflows (Premiere Pro, DaVinci Resolve)
• Familiarity with shared storage, cloud workflows, and media asset management systems
• Background in post-production, finishing, or digital asset organization

Work Environment

• Post-production facilities, in studio, no remote work.
• Fast-turnaround schedules with frequent media deliveries
• Variable hours aligned with production and post-production timelines, available to work weekends and on short notice.